WEBVTT

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Hi there.

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In this lecture, let's review the classic opera game.

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This was between Paul Morphy and Count is a Want and also Duke.

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Oh, so this was played in an opera in 1858, Paris.

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So it's a very well celebrated game.

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Let's look at it from the perspective of the king in the sense of what that really means.

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So we see E4 from Paul Morphy, E5 from both of the noble gentlemen, Knight, F3 from Paul Morphy,

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a Philidor defense default.

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We have Bishop G4.

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And now D takes E5 already.

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Black is suffering in the opening here.

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They can't really take on E5 because of Queen Takes the eight Jack and then taking out the center pawn.

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And so they have to give up their light square bishop And this means they are light.

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They aren't on the light squares much more vulnerable.

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There are a lot of line square targets.

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And why has this bishop without a counterpart?

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So the attacking ingredients are here for having a numerical superiority, sometimes on the line squares.

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We have d tanks, E5 and a bishop C4.

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So in immediate France against F7 we have f6 shielding f7 but Queen B3 renews an attack on F7 but it

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also hits B7.

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They play Queen E seven offering queen tanks B seven.

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Now that is a move, but not C4 is played.

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Paul Morphy wants to watch the opera.

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He doesn't want to have the game dragging on.

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If the queens get exchanged off.

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If he took on B seven Queen B for Shaq and yes, he has an advantage, but the game could drag on for

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several more moves.

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With this continuation, it's much more dangerous.

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The Queen's on means the chance of a quick knockout is increased.

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Actually, in general, we see C six shielding.

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Well, rather protecting the pawn on B7.

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If Queen B for her.

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Bishop takes F seven, check.

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Queen E six.

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This situation.

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There is a bit of black wanting the queen's off but Queen D free shank and Bishop G5 could spell the

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end to that.

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So one has a huge advantage here.

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So C six was played Bishop G5 and now five.

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So the thing to note here, what are the actual downsides of the king in the center from an attacking

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players point of view?

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One thing is here that this rook on an H8 and Bishop's not great at the moment, but this rook in particular

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on H eight is not participating.

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So it's like White's Rooks potentially should be able to do damage on a certain square without this

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rook participating.

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And what would you play here?

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I mean, if you haven't seen this game, it's a classic game.

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So hopefully you don't play a move like Bishop E too, because then you're giving.

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The opponent.

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The chance unwinds here, for example, 1987.

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And actually this is annoying for 95.

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If White Castle was 95, this would be a waste of of the king in the center because black could get

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just a decent enough position.

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Get the queen's off.

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That's even if you go to do free hair.

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Black can untangle hair with age six.

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If this exchange is off, that opens up the bishop, which means the king could castle and you know

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black's going to be in good shape.

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Black sash are going to be slightly better hair.

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These are ridiculous scenarios considering the golden opportunity of the King and center and what that

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really represents.

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It's like black is a rook down by not casting.

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Actually, you're not bringing the rook into the game.

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So certain squares might be actually more difficult to defend.

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And in fact, Knight takes B5, tries to amplify that idea.

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We have three takes b5 if queen b4 check white can just take care and then the move C three is a big

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advantage for white.

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If C tanks B five bishop tanks B five check C tanks B four Weight has a huge edge.

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If the bishop went back here, there's 97 check.

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That's a bit of a snag.

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If it went to A5, there's a bit of a snag.

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It doesn't protect D6.

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We compound since d6 check take out f seven castle queenside.

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It's a huge advantage.

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So anyway C tanks tank's B5 was played so the queens remain on Bishop B five, shank knight BD seven

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and now white cancels queenside install much better than castling kingside here because we want pressure

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on D7 so there's a major threat of bishop takes to take on D7 with either bishop or rook.

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We have rook the eight if rook b ain't rook 27 And what does black do?

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Knight takes, They're going to lose the queen.

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So yeah, this is totally vicious.

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And all this with the rook on not doing anything.

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Queen b4 there's Bishop takes f6 hare and on Queen takes b3 we insert, Bishop takes D7 and that's checkmate.

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So yes, that's quite vicious if G takes her Bishop 67 check.

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So that's vicious as well.

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This situation, Black's really had it so Rook D eight was tried and now, yes, black is playing by

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square rook down.

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That is one symptom of the king and the centre and.

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Guess what white plays here.

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So yes, Rook takes D7, Rook takes the E7 and bringing the other rook.

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So all of this with this spectator piece on H8, which wasn't able to participate in the battle.

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We have Queen E6, but now a beautiful finish.

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Bishop takes D7 check, Knight takes D7 and guess what White plays here.

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400 points, especially if you haven't seen this before.

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So okay, Queen B eight check is played to get that common square root.

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The eight is champ mate.

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Yes, opera mate pattern as well.

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So this whole construction here became also a mating pattern.

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So, yes, it's a classic example worth revisiting from time to time.

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So some key observations.

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Keeping the king in the center isn't just about the king being weak, it's about the rook not being

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developed into the game, which means it's like White has an extra rook to play with.

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And that was really demonstrated vividly by this beautiful game masterpiece.

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So yeah, there are some lessons there.

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Also, there is also the element in the opening of the square.

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Bishop Without a counterpart, there's also an element of forcing moves there which restrict the opponents

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replies all the time, but that really not didn't get a game to even attack anything except for B5,

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which led to access routes to the king.

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This diagonal, this bouncy road of attack to the king is a key thing.

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When the king is in the center, look out for these roads that are king.

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Sometimes it might, you know, in another game, sometimes it's like that.

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But here, yeah, this bouncy road to the king is amplified and this beautiful mating combination crowns

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all of the efforts, the attacking efforts.

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So, yes, a lot to learn from this classic game.

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Nice to revisit it.

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So I hope that makes you think maybe a little bit more about this classic iconic game and the importance

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of the King Castling to actually also develop a rook to help King safety, to help the opponent have

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a game.

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Generally, it's good to be able to castle.

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Okay, Thanks very much.
