WEBVTT

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Hi there.

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In this lecture, we see Frederick Smash against Aron Nimzowitsch.

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So Aron Nimzowitsch, one of the representatives of the hyper modern chess school.

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He has this amazing work called My System, which is fascinating.

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And as part of my system, he talks about Rooks on the seventh rank.

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Here we see an amazing rook on the seventh rank in this particular game.

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Okay, so this is a 1923 Copenhagen round Copenhagen tournament, round six.

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So D4 from Smash we have Knight f6 from Nimzowitsch C4 e6 now F3 so Stirling away from Nimzowitsch is

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opening the Nimzowitsch engine.

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So at the moment this is more of a Queen's engine.

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We have B6, but now G3 we're transposing into Catalan waters as well.

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So white thing catching the bishop here.

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Bishop E7 Knight C3 both sides Castle.

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Now one slight downside sometimes are the thing catch so here is that sure it's on this diagonal but

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what about this diagonal?

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Can black actually use that diagonal later?

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This particular diagonal might be of interest for black.

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Just bear that in mind.

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We have D5 Knight's E5 and now C6.

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In fact, this might actually be an inaccuracy.

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It seems like B D7 and then C6.

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This is slightly different.

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Move order makes a little bit of a difference.

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So this position, for example with Knight takes E5 Black taking on e4 D takes this position should

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be only a small H4 for White's.

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But we have C6 immediately.

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And in fact, the reason why this is a little bit of an inaccuracy, it blocks the influence of this

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bishop immediately and actually White's rewarded this with an inaccurate move.

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C takes E5 it seems e4 Here is of interest for White's even if it involves going into a position or

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gambit.

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So let me just show you here.

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D Take C4.

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It seems as though that aforementioned diagonal could be a problem for it.

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Yeah.

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With Bishop A6 however be free and then you might spot a forcing move b5 and another one b4 and another

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one and win a pawn and think well this is a bad line isn't it, King's.

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Actually, it's a positional gambit.

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Bishop B to take this further engines quite like the position for white with good reason.

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Intuitively it seems as though black's pretty locked down.

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This bishop without a counterpart could be really valuable.

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So this is an interesting way of playing it for advantage for white, actually.

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So in other words, E4 was an opportunity here for White's but White played.

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C takes D5 and this gives me a lot of uncomfortable feelings.

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I remember losing a club game many years back with White in this kind of structure.

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The thing is, black has prospects, Black has, you know, potentially this diagonal to use, but also

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the C4 square might use for later the C4.

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This E5 could be a target Knight.

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So anyway, we have Bishop F4 and now A6 and the more interesting ideas here already.

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Like for example France, Ghosts of France, as Nimzowitsch likes to call them B5 and maybe 97 to b6

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stuff like that to C4.

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There are ideas emerging so okay.

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But Knight C6 also this seems to be just an even position.

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For example here would be about even but A6 we have Rook C1 and now B5 Queen B3 is played.

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This is a potential target on B3 to moves like this.

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So is the Queen actually well placed on B3?

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Perhaps not.

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Knight b1 maybe is a better move.

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So this position one can actually get authority on the C4 here.

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I'll show you why.

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Bishop D6.

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Let's just put in some moves in between.

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It should have a small edge here after h6.

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If Russia White could actually consider just taking her.

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And this position with this pin is actually unpleasant for black.

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Well, the pain on both sides of the board, this rook on the eighth with targets stretching across

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is also you know, it's quite a powerful thing.

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So for example Bishop F1 and here Knight C friend, let's just imagine this kind of scenario with 97

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coming in.

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So hitting the queen, hitting fight and winning more material, whites actually with a big advantage

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now.

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So yeah, it seems as though Knight be one with the idea of trying to get authority on the C file soon

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is a better plan of.

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Action and being prepared to offer the queen up for rook and bishop.

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So that's a fascinating plan.

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But Queen bee free, though, is not so great, it seems.

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96 we have night Taxi six.

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If Frey looks secure, this position with the Frey looks as though it should be just even.

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Night 65 is unveiling an attack on C6.

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This position is actually a small edge for whites.

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So 1965 was a shot.

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If 1964 white can get that squared bishop and be slightly better here as well.

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So this was also something to consider.

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But 1986 was played Bishop takes and now if Black gets the chance Queen seven and then b4 and Bishop

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A4 or Bishop b5 looks like this Bishop is going to be active and very useful at some point in conjunction

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with B4.

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Now why just welcomes that plan?

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Unfortunately for 1h3.

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One should have challenged this position.

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There's a loose piece here.

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Liability.

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This was a time to pounce with knights e4 hitting that bishop.

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So Dee takes this position is even so, knowing E4 was an interesting move and if we follow that through

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with Queen takes the form rook D one.

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I mean, where is the queen going exactly?

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It's a difficult position as things like Rook C seven as well of Queen A7.

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So say this position once Y has a shattered structure and blacks can not be any better once they actually

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got a small edge here.

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So anyway, h free though, Let's play this cool move.

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Queen D seven Safeguarding C6 making b4 a threat potentially.

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Bishop A4 So this is bad news for white because this bishop is actually kind of locked in without any

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E4 break.

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Now all the earlier opportunity for E4, it seems as though white's in a kind of passive position.

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We have King H two and in fact with King H two.

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There's more interest in going for an attack.

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Now, the Kings are potentially.

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In a looser position now than it was on G one.

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So even though B4 was tempting nimzowitsch, his move is actually even more accurate.

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My take five This is even stronger than before.

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If b4 just to show position a black could play it played it like this.

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For example Bishop a4 a5 this is just better for black.

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But the game continuation is is super interesting.

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So Knight h5 we have Bishop Dito now f five and it looks as though this is a stone wall structure.

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And in the stone wall you look at the adjacent dark square.

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Weaknesses generally.

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But here it's like they're very difficult to exploit.

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E5 And also the bad bishop is not that bad.

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So it's like a stone wall structure on steroids for an attacking potential against the king.

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Basically, it's a fantastic version of that stone wall attack.

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Absolutely fantastic.

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Where this bishop can actually play a major role.

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And these dot square weaknesses are a very little consequence.

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Right now we see Queen D two.

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So this is gunning for a tactic with E4.

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And the funny thing is, well, this is actually not great.

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91 thou a five.

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This position is going to be even black.

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Shouldn't have too much to do here.

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But with Queen D one, it's clear that White wants to play E4 and win a piece.

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And this is a bit of greed actually we have b4 might be one.

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And now the bishop swoops up this kind of Dutch stone wall attack.

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So that bishop is usually bad, but it's absolutely brilliant here.

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Looking at one, it's like White's on the positional pressure we see now Rook G one with the idea of

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E4 without bishop takes half one just to hit H five.

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Now the funny thing is here, are we worried about this H5?

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You see, there is another factor here.

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A slight downside of playing for E4 is that a rookie crash through to the summer, Frank.

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Guess what?

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Nimzowitsch plays here for 500 points.

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So absolutely brilliant concept here.

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The position is very, very strong already.

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And also, if you look at this night, it's not a great piece once pieces are a little bit.

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Kind of awkward and stuck in their places.

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Then it's just.

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Please, Bishop, these sakes.

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It's incredible.

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He actually welcomes losing a nine.

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Okay, but it's for two pawns.

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So E4 is actually played, which makes things a lot worse.

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Now, if White didn't do E4 going for that night, st a3 a58x8x, this position with six blacks still

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is positionally better.

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It is a good version of a stonewall.

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The bishops great blacks contesting the dark squares and even say this position black could play.

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Bishop takes and prepare for G5 even with a strong attacking potential.

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So anyway, but E4 makes things a load worse for white.

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So actually, guess what Nimzowitsch plays here.

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Does he move the night?

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The thing is, if he moves the light, there's also E5.

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So maybe which was actually optimistic here, you know.

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But the thing is Nimzowitsch actually just takes one E4.

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He accepts two pawns in exchange for his knight.

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But what is he got for that?

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He's actually got a very dominating position here.

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Looking at F1 pressure on Geoffrey, it's like the kingside is being compromised with that pin and there's

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very little for White to do.

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Here.

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We see the Queen G5.

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If we have a look at this position just to see the pain of it.

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Let's see.

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King H one We don't have to take on G three.

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Actually, we can just intensify authority on the file.

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And here.

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Bishop E two We can actually try and checkmate the Queen, so to speak.

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So E5 this position, we want to trap the Queen.

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So this is an H six.

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Well now.

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Basically, we're threatening Bishop F sex.

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So, yes.

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This.

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This is pretty unfortunate.

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What does my actually do?

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If 93 bishops have sex as an example.

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Yeah.

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So it is an interesting situation, age, sex, just to rule out Bishop G five.

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So Bishop F six, there's Bishop G five.

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But yeah, it's like we're kind of mating the Queen.

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Bishop F six.

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Bishop defined, but.

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So yeah, the Queen is awkward in this configuration, actually, it turns out.

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So Queen G five trying to get the queen to a relatively safe score on E free limbs, which stamps down

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his authority on the F file.

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So King H one we have rook hitting the queen.

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Queen going to e final.

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Bishop D three threatens to checkmate the queen basically when rook e to.

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We have Rook C one stopping that, but now h six and it's apparent now why it's in a kind of zugzwang

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That's why it's been nicknamed the immortal Zugzwang game.

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The pressure in this position is enormous because of that rook on the seventh rank with the juicy targets

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kind of ties right down and the knight is not particularly helping Hare.

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So, yes, this is a very interesting position where why it seems helpless and what actually resigned

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if Bishop F1 we just taking on F1 just winning material.

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If G4 we're just going to play this and where's the Queen going.

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If Bishop takes this, we're going to checkmate.

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If H for we're just going to play this and again this position, we can actually, well, we're winning

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because we're winning the Queen.

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If A3 A5, just keep this knight out of the game eight times eight X, say B3, Queen F.

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This is just a cruel move here.

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Queen f7 showing the Zugzwang.

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So

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here, as an example, the Rooks can come to F3 and then rook change to mating.

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Yeah.

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Or three moves.

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There's always rookie too.

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So white's in a pretty helpless position in the end with this rook on the seventh.

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It's quite remarkable.

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Yeah.

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One is without any decent move here.

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So that's like attacking, without really showing a checkmate.

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Just putting the opponent in Zugzwang because of the rook on the seventh.

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Yeah.

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So positional play solid positional play gets us to a situation sometimes where we do have a checkmate

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combination, but in its own right, as shown here, we can just zugzwang the opponents quite dramatically

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without even needing to checkmate.

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You know, when just white's absolutely helpless, White's going to be just losing material or being

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mated in many of the variations here.

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So a fascinating game, the immortal Zugzwang game.

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Small advantages.

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We've got to be careful as attacking players.

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I do want to encourage.

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You to be a solid attacking player.

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So it's like her full quadrant model.

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We want to be solid and aggressive.

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We don't want to be like playing risky openings and risking zaps.

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We want to have consistently great results.

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But like Alexander Alekhine as a as a kind of role model.

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Or Garry Kasparov, you know.

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So world champions basically have taken the attacking style to the limits with solid play, which is

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more easier to emulate than, say, Mikhail Tal.

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Paul Morphy was ahead of many of his peers.

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So for me, Alexander Alekhine is a key, key role model.

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But Nimzowitsch could also play absolutely brilliantly positionally to get to positions where combinations

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just come by themselves.

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So this was one of Nimzowitsch, his great classics, I believe, which had to be included in this course.

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An iconic game example of a rook on the seventh, Two pawns for a knight, but such a dominating position

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here.

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White's spaces absolutely kind of helpless looking.

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So I hope you enjoyed this one.

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Has your much.
