WEBVTT

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Hi there.

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In this lecture, we see Alexander Alekhine against Akiba Rubinstein.

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This is in the 1923 Coles battlements around one d4 from Alekhine.

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We have D5 from Rubinstein c4 e6.

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Let's have four eight, six nine.

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Siegfried Bishop E7, Bishop g5 Knight Bd7 F3.

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Black Consoles Rook C1 C6, Queen C2.

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So this is actually a system that Rubinstein is actually known for.

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The Rubinstein variation being used against Rubinstein.

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Here we see A6 E4 rookie eight and now Bishop D3.

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So we have D take C4, Bishop take C4 95.

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Now one slight downside emerging is that there's no defense of Knight right now on F6, and without

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a defensive knight one should look out for the soft spots like H7 a little bit more than usual.

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We have an unusual move here, which is not strictly accurate.

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Bishop F4 Bishop takes E7 would be a more accurate move, it seems.

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And for example, this position should be a small edge for whites.

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The way this is played with Bishop F4 an invoice in 1964.

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But notes now there's no knight on F6 and after he takes F4 white potentially you can get a nice grip

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on the position Black played energetically here with C5 if Knight's F8 that is a defender of H.

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Seven Shaw.

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This position, though, seems a little bit on the passive side of the Bishop A2.

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This bishop seems like quite a nice attacking piece and White's grip on squares like E5 is very comfortable

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here.

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Small edge for white.

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We see C5 and now D take C5 is played.

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This is actually necessary with the Kingston Center.

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If the E5 then e tanks d5 and the problem is if Bishop takes D5, there's Bishop D6 check and F4 will

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drop and Black has the advantage here.

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This is bad for white, clearly not being able to console so D take C5 is played Queen C seven.

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That's sneaky looking at F4 and now Alekhine Castle.

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If he plays G free, he's asking for trouble on this diagonal.

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It looks as though, What am I talking about?

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Kings Krishna, What are you talking about?

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The thing is, Queen takes C5.

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If we look at this position, B5 is energetic and then Bishop b7.

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And what does white do if white cancels Bishop takes F3 end of game.

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So that that is the kind of disaster that could occur if Bishop D3 attacks.

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Black's going to be absolutely fine here with enough play this position, taking out the exchange,

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it's going to be great for black, but technically it's equal actually.

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Okay, so Alekhine avoided all that.

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All of those issues just castling offering a full for the moment.

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If Queen takes E5 Knight e4, this position is about even so Queen takes F4.

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We have Knight E4 and you might think isn't why I pulled down here after 1965.

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Not for long night take five.

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Bishop takes Bishop D3 hints H seven that soft spot note there's no defensive knight and hits C5 so

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B6 is plaint if we're just going to take out C5 if Bishop E7 that is plausible actually and this position

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King F8 should be even so B6 is a slight weakening move, maybe wanting to get this other bishop.

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It looks nice to get the other bishop, but there's a cost to it.

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B6 We have Bishop takes H7 King and shines here.

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If King f8, the cost of B6 is revealed.

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Bishop E4 and the problem is, say Geoffrey, now White has a five and this starts to look a little

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bit painful, especially here b4 if Bishop d6 b5 and things are getting tricky.

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For example here 1964 Queen 60 for Rook 51 and then taking up B6.

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Things are getting very tricky here in these variations.

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If we look at this again, if Rook D7 Queen c5 check, Rook takes, D7 Bishop takes and the bishop could

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drop back and this is very pleasant for white so ock King h8 though is played Bishop E4.

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All rock seven.

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So why Rock seven?

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That looks a bit awkward, right?

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If Rock B aids, can you see what.

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White plays here for ten points.

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Yeah.

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Before.

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Before Black has any chance to do anything before if Bishop detects this position is unpleasant.

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There are unpleasant ideas here like Queen C6 hitting d6 and if Bishop f i g fray this position as Queen

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C7.

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Ouch.

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Black's losing material.

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And if we look at this again, if Bishop f8 nudges the Queen away from E4 first so that this queen is

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free to come in to see seven ouch.

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Just winning material.

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So that explains Rook seven The little bit b4 is played anyway though.

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So what's the point here?

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If Bishop takes b4, can you see what White plays in this position?

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If I give you 5 seconds pause video.

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We have an escape square taken, so we should be excited by this queen.

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Thanks, Kate.

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Yeah, This is crunching.

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This is going to be checkmate.

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So Bishop faints.

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Now Queen C six is played.

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In this position.

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Also, Geoffrey is worth considering for Queen C6 disposition.

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B5 is nice for White Oak, but Queen C6 immediately.

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This move order looks very similar anyway, except the Queen hasn't gone to F6.

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Okay, so what happens here now?

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If Queen f6 in this position, I would just take you out.

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B6 So Queen Bey protects B6 G5.

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This is very, very dangerous.

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So you can see without the defensive knight on F6, things are happening on soft swat squares.

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We have Rook 88 and now there's a wonderful conception, really resourceful.

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And when I say resourceful, I literally mean that this this move actually creates a new powerful resource

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which is intimately connected to the first move.

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It's a stunner.

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It's an iconic move in this position.

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So we have a position without the defensive on F6 and that amplifies the soft spots.

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But this is a magnificent amplification resource of H seven as a weakness, and it's just absolute.

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Genius.

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It does exploit.

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The queen is kind of far away from the king as well.

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There are other factors here.

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These pieces are kind of in bed, you know, basically.

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So I wonder for 500 points, what would you play here and why and why does it literally create resources?

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What sort of move creates new resources?

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Not in the initial position.

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We're constrained by illegal moves.

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You know, with Queen can't go there.

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The queen can't go here, the rook can't go there.

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We're always constrained by, you know, our own illegal moves created by our own pieces occupying squares.

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That's a little clue for you.

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There's a crunching move here.

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I'm about I'm going to show it now.

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It's Bishop G6.

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It vacates E4 so the queen can potentially bounce like this to look at H seven, you might think Bishop

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G six What's going on here?

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Bishop G six Queen e5 was played f f tanks, G six.

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It's amazing.

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But the quantum of Queen E four is French thing.

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Amazing two For example, Queen 42h71 is black two.

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Bishop C five.

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Queen Saint's G six then is strong and Queen 6e6 check say king AFAIK 97 is mate seven mate that if

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King H eight Queen H check King G eight.

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Queen H seven.

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And now for the Art of Checkmate.

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What would we do here?

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Sometimes in preference to a check, we want to cover escape squares.

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So what are we playing in this position?

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With ten points.

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What would you play?

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Yeah.

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You want to make each check more effective to be kind of mating rook.

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C one covers the scheme squares.

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So now that's kind of been promoted to a checkmate fret if Queenie five Yeah, we just it's just delaying

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the checkmate.

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So that's a beautiful variation where Queenie four is amazing.

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Queen E4 is amazing.

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So if Bishop is seven.

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Yeah, this just, this is just amazing.

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Like this?

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Yeah.

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So the bishop's like, trying to, you know.

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Potentially has the resource.

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You know, it's it's in the way here so that's that explains this computer like Bishop C five Troy if

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King G ain't in this position.

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We can, actually.

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Play here, Queen C-4, as an example.

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And.

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I mean, if it was also super dangerous.

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But if Bishop B seven, Queen H four, Bishop six before.

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And in this position we can actually force.

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A concession here, which is kind of magnificent, actually, in its own right.

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What would you play here for?

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300 points?

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This is very tricky stuff.

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Very tricky.

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What would you play in this variation?

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If you want to carry on the attack.

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If you want to be a king hunter.

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Yeah.

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Queen H five.

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It might be tempting to chase the king, but where are we chasing the king to?

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Are we chasing the king to safety?

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And then they might even have looked after.

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What are we doing here?

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It's not necessarily that good, although, I mean, it is promising, but more accurate is Queen H

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five.

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So here.

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This is causing a lot of pain.

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If KING if a bishop takes a seven because there's no easy way actually to defend seven here.

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So let's imagine this position.

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Bishop takes E6.

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Bishop C one, Queen h H.

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King E seven.

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We're hunting the king here, bringing it out of shelter.

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And this position is just diabolical.

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So, yes, there are some interesting tricks and ideas here.

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So Queen E5 anyway was played and now Alekhine just cashes out.

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He just wins In exchange.

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Knight takes f7 shank.

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So with that fork of Queen and King Black, is the exchange down now?

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Queen F5 after you won not minding the simplification combination now.

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So Rook takes the one.

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Rook takes the one.

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Queen takes up seven.

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Queen size eight.

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King H seven.

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We have now Queen six A6 Queen F3.

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But now.

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Yeah.

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Cashing out I mean simplifying rather.

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Queen D3 check and the game If Queen takes the free rook tanks D3 if Black takes this pawn as rookie

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free E6 is difficult to protect.

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So that's going to be dropping.

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That's just an easy win for white from here.

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So I resent in this game it is an iconic game and it does feature a move Bishop F4 which engines do

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not like.

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I have to say this, but we are in this course taking on the role of king hunters.

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Your king hunting hat has to be on.

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What we need is that extra sensitivity to soft spots, the towel mindset, the mindset of soft spots.

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And we should know where we're getting rid of a potentially defensive piece.

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A knight on F6.

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There's only like one key defensive knight now.

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So here in this situation that Knight's been indulging in this operation, which leaves a situation

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where H7 is a soft spot now which is taken out.

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But the impact here is very, very beautiful.

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It's very, very instructive how a very, very powerful resource is made use of here.

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This is one to think about deeply.

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Take some time to think about this concept here.

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It's Crates and Express Roots for the Queen by vacating E4 and also clearance on this rank.

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Even if Queen force don't use sometimes queen C4 so we can bounce bouncy roads of attack as well.

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Think about access routes to H seven bouncy roads of attack to the king.

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But Bishop six literally for me creates resources.

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Unlike the square vacating resource crater aspect of Bishop G6 so that F4 can be used as a pivot if

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needed.

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And yeah, it just if we look at the variations, they're all very, very favorable for white hair.

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So white winning exchange basically spells the end of the game there.

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It's a really beautiful conception.

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And once bear in mind, but the prelude to it, there's a subtle prelude, often in eloquent games here.

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You know, the subtle prelude was making sure pieces are over here.

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There isn't a defend enough defence, enough defensive pieces around the king.

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So wonderful stuff.

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I hope you're inspired by this as much as me.

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That's so much.
