Hi there.
And this I, I want to introduce you to a night, another night goes like an L shape.
So this is a nice, sensual night and I really want to, in general, centralize the lights.
The moves would be these.
So it's like going to square one.
It's like an L shape.
And the incense is really, really powerful compared to, say, in a corner here.
This light can only do this hour and this hour.
So you can see the importance of actually a central light compared to a night here or night on the side.
There's less options.
If a light was here, you can imagine the options.
One, two, three, four.
But as soon as we go to a central square, it becomes eight, the maximum capacity.
So the lights go in an L shape.
Just bear in mind, you know, lights on the rim of them is a is a famous quotation and especially in
the corner, even dimmer.
It's like you just restrict your light to two L's.
So ideally you want your lights in the center.
They go in that all shape.
And in the next lecture, we'll see some fascinating feature of the night, a fascinating feature of
the night, being able to jump over pieces.
But for the moment, just bear in mind this idea lights, all shapes.
Try and keep them centralized in general.
OK, that's a much.