Why they're in this position, you are playing the role of Mecca Hotel, the magician from Riga, a
former world chess champion.
Now, what would you like to play?
Would you like to play a chank?
Would you like to be a pawn?
Or is there something even more powerful that you can do here?
Clue it's a decoy style tactic, a decoy when you kind of drag and drop one of your opponent's pieces
to a specific square, which you can then exploit.
So you're really interested in where that piece goes, unlike like a deflection, the difference between
a deflection and decoy and the deflection.
You're taking a defender away from a particular square or defensive task and a decoy.
You're moving one of the opponent's pieces to a particular square so you can actually exploit it on
that square.
So is there such a decoy move in this position if I give you five seconds for the video?
Can you see a decoy storm, so you're interested in kind of dragging and dropping one of your opponent's
pieces onto a particular square and then you can exploit that piece on that square?
OK, I hope you also use the middle game processes of chacal checks as well, because there's an outrageous
looking check.
Look, one check, but it's actually a decoy by sacrificing on that square, you actually specifically
saying the queen comes EF1 square.
And now, look, the pieces are in alignment when pieces of their lines, they can fall off to the dreaded
skewer.
So here we're scouring because the more valuable piece is then the less valuable is there.
And then we're winning the queen, which actually resigned.
That queen would be lost, say her queen AF1.
That's hopelessly lost.
So the skua tactic, you're very, very interested in a particular piece going to a particular square.
So, yes, a bit distinct from the fractions.
You should know the difference between deflection and decoy.
OK, so the flexion eyepiece is moving away from a defensive task force.
Quite decoy.
It's moving to a defensive to a particular square.
OK, Brooke, AF1, Jack Queen, I want to ask how you got that bad so much.