Either in this position, the great Michael Tull played something very, very special, it looks as
though, you know, it's Michael Tull in trouble because isn't this neutze without too many squares,
they can't move us.
So it's kind of stranded there.
So why play here?
What do you think Michael Malthouse played in this position, which is a deflective type move, taking
away a key defender?
OK, and actually a point of note, there might be one or two points of defense which this card offender
is lured away from.
So you're kind of saying to the defensive, please, please go on holiday, OK?
I hope you can spot it and maybe see a little bit more after ideally.
OK, if you'll pull the video.
It's Bishopsgate C5, so we're trying to lure the queen away from FCX, but also, you know, F7 is
of great interest, essential interest.
So Brooke takes this on his plate, rotates queen, takes five, and the point is of the queen takes
five, sex isn't black just going to be a piece of taking five.
So we have another situation, which if it doesn't do anything special, why, it's just a piece down.
By the way, if black, a black queen is seven, there is a kind of defender here, the C six, not
defending the queen.
Can we try and deflect the night away from the queen so we can say the queen?
Can you spot move, which does that?
Some puzzle, if you want to think about this position, yeah, there is a deflection tactic in this
version of the AIJAC, so if takes we take the queen out.
So if Queen takes we've just deflected the queen from F7 so we can play Queen takes F7 and Queen.
So essentially our Queen 87 is insufficient because of this amazing the behind the scenes.
So this is what lurks behind the scenes of a mega hotel game.
Tell the magician from Riga as he as he was known.
So Black actually just took on GFI piece.
We're back to this main line of the game.
So is there a kind of diagonal of death going on or has it been just too casual and just blunder the
place?
Well, it turns out here that the queen has kind of neglected F7 as well whilst on holiday here on C
five.
And so Tau plays Bishop, be free.
So the immediate threat is queen size.
And if the king moves queen checkmating.
So Black attends that were rugby seven.
If Queen is seven instead, then actually the power of the pin piece of is illusionary.
We can actually hope you can spot it, we can actually take on sex, check and then check here.
And Rudy's sex is even more strong than Queen takes.
It brings the firing squad to the black king.
So that's absolutely crushing.
And if Queen Efate, you know, Queen 66 bishops have seven Queen takes is winning because Queen, these
picks up the loose rock on B eight.
So, yeah, there's a load of magic behind the scenes, but Black chose Rokeby seven.
So can tell justify being a priest down.
Yes, it seems Queen takes G sex.
Jack Canfield and the Queen aged six.
They had enough how the game actually ended here.
So why.
Well if King is seven then rook the five forces the Queen away from desex.
So kind of deflection without any price to wait just to get the Queen to go away from desex and then
actually hear Rook desex his strong, pinning the knight to the Queen as example and queen of six Jack
and have rook.
You know the eighth is crushing.
It would be winning.
The Black Queen was much better than so.
Yeah.
And also you might think.
Hold on.
What about instead of King seven, Kinkaid?
Well, Queen takes G five.
Jack is strong and the king's kind of bare laid bare here.
So sometimes these situations are a lot of fun.
You know, when there's no --'s around, the king is like you can get a really vicious attack going.
It's like there's no shields, you know, around the Star Trek Enterprise if you're a Trekkie, as they
shields the shields down, rook, the rook left bringing the rook in for the kill and could even go
to Africa to highlight F7.
And this just gets huge, you know, huge compensation, crushing compensation.
Whites just easily winning.
It's absolutely crushing.
So, yeah.
So it just shows how basically if we go back to the core of the point of this whole thing, we have
what seems to be a tricky situation.
But maybe it has calculated all of a sudden arrival of this position that he's going to run deflections
to get access to have sex.
In that F7, he's going to ask the queen, please go on holiday like we've seen some other examples.
And he's doing that request with Bishop 65.
So once the queen's out of the area of the book takes the one take, then, you know, there's a huge
pressure on the black position had there's huge compensation, that title of death, the default position
of the king.
We want to celebrate that.
Yeah, it's just really, really vicious here.
It seems, you know, black is actually technically losing challenge for the modern engines towers.
Right.
With this sacrifice, sometimes sacrifices are a bit murky.
But he was right on this occasion.
But anyway, the key, you know, basic point, the deflection tactic, very, very important idea.
You want some pieces to step away from, key squares, key defensive responsibilities.
You want to ask them, please go on holiday, go on holiday.
So Bishop takes five.
Does that OK, that's so much.