Hi there in episode two, Beth is actually playing against Harry Bell Tech, and she plays Bell to this
is actually from a real game of this pattern of one of my favorite players actually attacking players.
And, you know, as much as I've played this game against Kasparian in 1955 in the Spartak Championship.
So here there's some trash talk between Beth Harmon and Harry Bell in this possession, which makes
it more fun and dramatic.
We see 1964, rotate 84, now 85.
So this looks like great use of the double cross to try and blast through the phone at five, Bishop
takes a five queen DFI, but it looks as though Black's got some counterattack resources like this,
which look rather dangerous.
So at least tie right down.
We see a key move.
Bishop ESX and Black is obliged to play right now.
If Black plays Rook takes F2, then this is a very, very bad for black.
If Black wins that bishop check and then white will win the Queen.
So that should be avoided.
So we see, you know, Rook Achak the bishop drops back being self Penns Knight takes Jesus.
This is actually a mistake.
Black should try rook defraying for example.
Rook have seven check.
And this situation leads to after some exchanges a position which is drawing dispositions draws.
Baatar 1966 allows one of the great Sveinsson of combinations.
And guess what?
OK, what does White play here?
OK, there's a key move here.
Recap seven check, and that has a specific point to it that sometimes, you know, taking off the two
routes for a queen is good, but not here because there's queen have to check.
They'll be winning some material.
So, in fact, you know, after a four hour wait, does best just take them right here.
If Queen takes the four, then there's a forcing move rotates and a 92, such as the brutality of chess.
But by winning the night, that's actually very good for white.
So that's the first point.
But now, you know, things get really, really clever of the king at 6:00 a.m. and Baff play this move,
both play this place.
This move and play has to resign.
It's actually a crushing, super crushing blow.
A belter of a move against Toltec.
Can you spot it?
Can you work it out?
It's actually a pretty sophisticated, checkmating sequence.
And shows the all of Chappellet, in my view, because sometimes you're playing certain checks which
have subtle advantages just to put pieces in place, taking out squares.
I think that's the key lesson here.
So I'm going to show you now and well done.
If you do find this whole combination, your tactical genius queen, Teiji sex.
So why there's black resigned here?
The thing is of the king takes we have the rook is kept in place guarding the G7 escape square.
But why?
It just improves the situation with this and now this.
And it might seem a bit pointless to do this, but we have this situation where the king is basically
driven to the fall.
And now that the king is there, we have another check and another check just to put the rook in place,
controlling escape squares with the king on the phone.
And then it's the bishop that delivers a made.
The bishop has now been on pins by the fact that the king's on each seventh of the free to move and
deliver the knockout checkmate.
So it's a very, very beautiful, stunning tactical combination with Queen takes desex.
You could check out The King's Cross, the YouTube channel.
I'm a big fan of Bartnoff, so you can see many, many games that's bouncing off.
You know, he has a oppositional queen sacrifices, which is worth checking out.
And one of his games or two, actually, he's played quite a few queen sacrifices.
The one against off in particular is pretty stunning kind of positional coin sacrifice.
So anyway, yeah, Kasparov also, it seems, appreciates Rasheed is better off.
OK.
Have you enjoyed that one?
And it shows, you know, the great art of mating.
Sometimes the subtle checks, seemingly repetitive after all, free kind of with tempo that you can
play them without losing any time.
And your parents got very limited options.
You can sometimes improve the configuration to deliver the final, you know, chat, mate.
OK, that's a much.