In this episode, Beth is shown playing against Benny in the US championship, so we see the opening
from E4 after much deliberation.
So we see see 5000 fans from Danny, we see my every desex defore C takes lt takes the form of STS 93
86, which is the Sicilian Neudorf.
A favor of Bobby Fischer.
We see Beth playing Fisher's favorite move, Bishop CIFOR.
This is the Susan version, sometimes known as the Fisher Susan version ESX Bishop Frank B5 White Council's
Bishop D7, Bishop G5, Bishop S7 and now Bishop takes six and we see the theme of the episode and the
actual example came here.
Fragments G takes FCX and we don't get to see the full game, but we come back to it later so we see
double pawns.
Do they have upside's both.
They certainly do in my view.
You know, Black has a dance choir bishop, which can be very, very dangerous later without a counterpart.
It's one of those amazing imbalances you can get out of an opening to, you know, to check out and
try and celebrate later and your little game and even end game that.
Dr. Bishop, how about a counselor?
Can be great compensation.
Also, of course, Black has that foul to play with against whites.
King is like having a roads, a motorway where cars can travel one way.
Roads motorway segment falls half open.
Houses are sometimes called.
They're great fun to have as well.
So Black has interesting compensation here for the double pawns, OK.
And at this point, then we go on to the next scene.
We reached this position later on in the game and makes a big mistake for maybe being tempted with sex.
This is a bit slow in this position.
Sometimes you can say something in slow if you're giving the opponent potentially dangerous, forcing
moves.
And that's the case.
Here is the rock G4, which is a bit slow, but could have actually played Rook the ACHAK.
And this is actually, you know, potentially rather dangerous for Black of the King GS seven five,
Jack King eight seven.
That's taking here.
And this is super dangerous.
After BHF Bishop takes F7.
Can you see why it would be frightening here if Black doesn't react immediately once actually frightening,
you know, desex checkmate.
And it seems, you know, technically black can only draw with check, check and have black has to keep
up the checks.
The king can't go to Daewon because that'll be a mistake because of this continuation when Bishop takes
a five is played.
And that's actually better for black.
So given the king can't go that way and has to go to Iwon, black actually has to keep up the checks.
For example, like this, black keeps on the checks and ends up theoretically as a draw.
So very interesting.
Their choice of possessions pretty critical where this mistake happens, where there's whites very nearly
winning basically by force.
And also, you know, Brook, be a check.
And we have, you know, Rocsi, for here would be just an equal position.
No problems for at all there.
But in the game, Ryoji four and Black actually plays a really, really strong continuation.
So many plays here.
Rook one check after King F2.
Can you see what Black plays?
It's a really, really strong continuation.
So when you see a strong move, look for an even strong one is a great quotation by Laska Emmanuel Laska,
one of the possible chess champions, and here you might be tempted just to follow and take the rook.
Yes, but there is a much stronger way of doing this, which was born Benny actually played, which
is bringing the road down to overload white.
And now this is just so much stronger than just simply checking and taking the rock of the night to
the point is, you know, it's an overload.
Have had to resign here.
Not only is the rock dropping due to a drop after.
So for example, here, Kingi to night takes and you can see that Jita drops after.
So it's an entire rock up.
So if you're more ambitious.
Yeah, that's an entire record.
That's why I have definite, you know, for it was reasonable there.
But if, for example, Benny had played the free track with the idea of just taking this drug, you
can see that, you know, it gets to play on a little bit.
It's not a whole rock town.
It's the exchange down instead.
So when you see a strong move, look for an even stronger one.
And yeah, we have this period of pain at in a lot of pain and doesn't really like blundering or losing,
you know, potentially when she could be nearly winning or at least drawing in those two different continuations
here.
So it is a very scary position for both sides, in fact.
But, you know, Beth played one slow move and that quite often happens in chess.
If you play a move that's too slow.
I remember, you know, John and Grandmaster Jonathan was telling us his genius, you know, about slow
moves, things going off over his games.
But it's costly and it's very, very good fun.
But he talked about you can't play slow moves sometimes in very dynamic tactical situations.
You've got to sometimes force matters.
So the way it's Forssmann, as you know, is one of the checks.
Find the best Jack and the best winning chance would have been wrote the check.
So, yeah, these are fascinating positions constructed behind the scenes by Garry Kasparov.
Great series.
It's a must watch series.
OK, and so much.