Hi there and welcome to Logo's.
We are going to start designing several logos here.
The purpose of this is for you to learn how to use the tools and how to discover what tool you are going
to use and also train yourself on designing logos.
After you have mastered copying other people's logos, you will go to a paper and a pen and start your
creativity by creating new logos.
One tip, I tell you, there is no way to create a logo unless you have a purpose.
So defined the purpose.
Why are you creating logo?
For whom is it and what does the customer want, for example?
And then you start designing the logo.
But for now we are going to focus on the techniques of drawing logos and using illustrator at 100 percent.
Of course, if you're not to see that zoom in, you will not see that you have lots of circles I'm going
to show you a trick actually is a tip.
If you come to the eyedropper here under, it is measured.
You see, this is the measurement tool and you can zoom in.
You can click and drag a measure, for example, this distance horizontal at 100 percent, the distance
here is minus eighteen point four feet.
Remember, guys, it takes the zoom inconsideration.
So this is the screen length, not the physical length, of course.
Now, let's measure the other side and you will notice that this is nineteen point seven.
These circles are not symmetric or concentric to this white one.
Let's keep that in mind and let's start designing now control minus.
I'm going to do the first circle.
I can come over and notice I have the feel that is black and the stroke, that is no stroke at all.
I'm going to switch out.
The stroke is black and feel, and that's exactly what I want.
I come to what I estimate is the center and draw my circle here to reduce the point to zero point twenty
five.
I have a circle that I need to adjust.
I'm going to adjust for Four Corners.
There is no way for me to guess yet if this circle is 100 percent concentric, is 100 percent a circle,
by the way, it could be less than a circle, but I would try my best to see if it is a circle.
Now, it's not being with me here.
What we would do is to zoom in Yuzo Main and then it's easier to move it, it will move at less steps
if you like.
Going to zoom out, where are we?
Zoom in, we have a very good circle.
It seems like this year here is an extension of this circle and there is a small curve here.
If you look at it, it could be like we going to use this circle to clear the air.
Good observation.
Let's move on.
I need to duplicate the circle, so I'm going to use the controversy, control F and shift an option
or art and then just zoom in or make it smaller.
Then controls the control again and make it the small.
Now I notice that these guys are not concentric at all.
I'm going to make it smaller from here.
Pressing shift, maybe.
Yes.
And then I need very little from this side.
It's not being so you zoom in with the option, I'm using the Moskal and option key and adjust it a
bit better.
It seems this is OK.
Control, control, if I want to use it, because I like using it, I'm addicted to it, I'm going to
make the smaller one about.
Control C, control F and make the smaller one.
Now it's time to color one side and of course, to replicate, but I need to take care of this guy here.
The year I'm going to zoom in, I'm going to use the zoom tool and then click and drag slowly.
Like this, Moutier.
Zoom in a bit more.
We need to create an extension for the circle to cover that.
Of course, you can create a rectangle, but I want to show you the difficulty we can take the white
arrow.
Click on the circle and obviously I need a point here, otherwise everything is going to move.
Go to the Pentagon and at the pontell.
I'm going to break the point immediately, a press option or art and just break it over here.
Even more, I'm going to use the handle, so that's a and I'm pressing shift to make it 100 percent
just over here that I need to add another wrinkle point here.
I use the Bantul and click to add the anchor point.
But of course, I don't want that curve.
I can convert it immediately, convert it to a corner, the use of that extraction and just make the
curve over here.
And it seems a very fine.
Now, it seems to me that so far it seems to me like I need to take it up a bit.
Otherwise it's not a straight line.
I'm going to take it up just a bit.
In fact, we need to take this one down just a bit if we can.
One pixel here.
For now, it's OK.
The line is OK, it's not very straight, I don't know if it's straight, by the way.
This is done, is almost done.
Let's go for Kalari.
Obviously, now I'm going to copy the colors from the original one.
Let's start with the smaller one, by the way, from here.
I'm going to take the eyedropper and go for this color.
Then with a selection to select the upper circle is going to be white.
So go for white and the upper one is going to be black.
I can see it.
Here you are.
This is black and this one is white feel.
Very easy.
And the top one.
That's them and group them, then I'm going to duplicate them, control S.F. and invert them as you
know, so I have to have them click and drag and the shift gears and just put it over here.
It's perfect.
Is very nice.
Now, let's focus on these curves.
Here they are ellipses, of course, but I don't know where they start, where they end.
I'm going to switch the colors now and remove the feel.
So there was no need to feel that I'm going to take it up a bit, I just it's from here.
You can use symmetry, pressing shift and Sombat prefer to do it like this, actually for this logo,
it's easier, but I think we've got a 100 percent control S.F. and then shift and option or ult and
then make it smaller.
That seems very.
I have to ellipses here, I have a color under here, how am I going to do that?
Well, I'm going to use the segment, put the segment over here.
I'm going to take it a bit down.
I will select the two ellipses here and our guy over here.
That's all we have selected.
Then we are going to cut the lower part, using the shape to come over press option and cut them off
and did a good job, I think.
Let's take the lower one now and copy the color from over there.
Go for the eyedropper and.
Color is fine, then selected and arrange and send you back as usual.
There is nothing in it and then orange to back.
And then the field here is a block.
Have we done a good job of this guy?
We need to delete, we don't need them anymore.
I think we have done a very good job.
I think it's excellent for a first trial.
Not all lawyers.
I try to copy the succeed from the first trial.
We have a mistake.
Ener1 and eyedropper and get the green.
Though here, it's fear it would give me the right color green.
Don't worry, because it's shaded somehow it's inside the group.
I worry about it.
It give you the right one.
Now I need to do the nose.
I think the best way to draw the rectangle is to use the potential we can just retrace that you could
do a rectangle.
Put it down.
That would be nice.
But let's do it.
I'm gonna come over here.
And then come just like this.
Try to estimate and close it.
We're going to go remove the fill and give it is more stroke of black.
To point pointless now Nenita adjusted, of course, you go for the white Aratula and they select this
guy and just move it over here and adjusted the way you would like and the very proper way.
Zooming in.
And I just said, just like this, that seems fine.
That seems very good, then I'm going to select it and then give it back and of course, pick out selected
again and is sent back.
I think we did a very good job.
You're not just now we need to remove all the socks, iSelect, everything, and stroke, no sock at
all and look at it carefully.
I think the replication is very good.
We have very well run it, but we still have the name.
How are we going to discover which font to try to discover, which found a solution between fonts you're
in for a very big job if you try to trace the font is going to take a long time.
The best way is let's select.
This guy, that's the image here that the one, yes, and we are going to replicate it.
And then take the image up, lock the lens back, take this image right, click on it and say image.
I want to isolate the characters, isolate the characters, the trip advisor.
And then I'm going to export it from there, I'm going to go to the front side of Adobe and show you
some very awesome.
To export is very easy, come to a window and you have asset export, you click on it and drag it and
drop it in.
Now you will want to export it, for example, somewhere.
And I show you that I already did this job for you.
I start you notice I have the TripAdvisor font not being here.
It's already export.
Now I'm going to head to the font website of Adobe.
I'm going to Font's.
And obviously, it's going to be adult before me now.
That is the small camera here.
It is really awesome.
If you click on it, it will start telling you upload an image.
What it does is fix an image, it being a jetpack, whatever you like, and scan it left and right.
Discover the characters that you have put their.
And then also discover which fund has been used on this pension.
That's very nice, selected up.
Now it's gaining it, TripAdvisor font scanning, please, with.
Select a single line of text, if you had similar lines, you would select only one, you can get it
up, down, whatever.
This is exactly what I want and go next step.
And here it has read the text from the Gebek and made it an editable text, you know, the second additive.
Don't edit and then please tell me which font it is, so now is going to go ahead.
OK, which font is suggesting several fonts I could use?
What am I looking for if I look at TripAdvisor?
There are some distinct characters here or letters.
First of all, the V not as the V is pointed, it just hit a hard angle.
And the E, this is the kind of it's U.S. So if I look around, where is the help wanted the.
The first one seems quite good and is actually I have the font, if I didn't have it, I was just activated.
We've seen that it's called upon you regular.
I'm going to copy this because I'm very lazy.
Come back to Adobe Illustrator and write something.
Actually, right, thrip.
Click now here, of course, I had the fun because I was trying before we did this one you based and
it gives you the fun.
Yeah, that's the one you mean.
OK, let us use this one and click on it and drop it over here or try to put it as near as possible
and zoom in again.
Not as this font is not 100 percent because the V is different.
There is some scaling issues and stories.
First of all, try to adjust it as much as possible.
You can play with the tracking.
That's one.
The trucking is trucking is working here, but not here.
I'm going to double click on this guys here and increase the trucking.
I these guys really work on the front is not just the front.
What you are going to do, let's increase the tracking just over here, these guys, let's increase
the tracking.
Push the characters still have over here the tracking, I can add.
Maybe they used the corner.
Somehow it is OK.
Now, if you're not, this is not going to happen.
I have to turn the text into outlines so we create outlines just over here.
Then you come, for example, to the V and you start editing it.
So I'm going to zoom in White Arrow.
So just two points here and just move them on this side and so at this point, put it up here.
Select this guy and just put it here, keep the symmetry.
It sometimes is a long job, sometimes the very easy job.
The graphic designer did not choose any special fund.
This is TripAdvisor and obviously.
They really worked on their logo, makes sense to you.
They got some work to do.
I'll leave you to it, it's very easy now to edit.
You just try to put them as much as possible near each other and try to play with all the anchor points,
move them around something like this.
You're going to work on it very nicely and it will happen.
It's not easy, but this is a great example, actually.
It looks good already.
It's a great example of how to copy a logo and how to use it.
Actually, if you come up with this, your next logo, the logo that you are going to do is going to
be a logo.
That's very special because you know how to adjust the font the way you would like.
Thank you, guys.
I would see you in the next video with another awesome logo.