Going inside is really awesome and it's very easy to use.
There are a couple of things you need to take care of and to understand, and then it's really do you
a lot of favors when you're creating your graphics.
I believe it's a beginner thing.
It is not an advanced story.
It's really very beginner and it's very easy to use and makes life easier.
Let's take an example here, I have a boy's face on your face just like this, it has no feel I'm going
to remove the feel come to stroke is one is OK.
And it has two eyes, one eye here and another I just hear.
And both eyes, of course, have a white feel, I'm going to put the Whiteville.
Now, my purpose here in this article, I want to have a mask on top of the eyes, so I'm going to put
a mask just over here and it has to be black.
And I want, of course, to draw it around the face, going to take the eyes just for now and put them
outside, OK?
And then select the oval here.
And I would really want to draw inside the Oval.
I don't want the mask to appear outside this oval.
I can instruct that everything is drawn inside this oval I selected and come over to this small Bertani
is very nice one.
If you click on it, you will find Drew inside.
It's very hidden here, but let's say draw inside.
So now you'll notice the dotted line.
That means you are going to draw inside this ship.
Let me try it.
I'll come over and draw the mask and then give it a black feel cool.
It has drawn only the mask, not disguise.
It has drawn only inside the oval.
I can add more.
Still, I'm in the editing mode of drawing inside.
Let's add something just like this, for example.
OK, something just like this.
Very cool.
Let's take the eyes now.
I'm going to double click outside so I finish editing and take the eyes and just put them over here.
I like it is good, but I would like to return the ice to their normal one and put it over here.
The mask is too big.
How will I added the mask?
Very fine.
Selected.
I'm selecting the draw inside the oval, but now we come back to draw it.
You can draw inside anymore.
You not disguise is great.
Now exactly what happened.
If you cut your layers here, you will notice we are working here.
This is now a clipping group.
The Ellipse itself have become the Crippin path, and you have inside some rectangles.
Of course, these are not inside.
So now we cannot keep the group again.
But you have to do is to edit the group.
Very nice.
Let's go to properties.
And if you are selected, you can Double-Click now inside.
And here you are.
You see the advantage here that all the ships are putting.
All these rectangles are still available to me and I can adjust them the way I would like.
Now, Double-Click outside exit the group.
I can really accept them the way I would like.
Now, something important, if selected, you might find here the option clip group and you can say,
OK, I can edit the clipping path, which I can do from here, and also I can edit the contents.
But be careful if I click over here, the contents is everything inside.
So if I start, you know, manipulating like this and manipulating the three of them sometimes is very
useful, I have to admit.
And but in our case, it doesn't work.
If I select one of them, you can't really move it.
You know, it will select just for their only purpose, maybe.
There's what so do Ed, just double click, I can see like any one of them now you are inside the group,
you notice you are inside the group and you can edit everything.
That is a way to work with the law inside another way that might give you hell if you don't follow this
procedure.
Let's take an ellipse, OK, and inside this ellipse, I don't want any color inside, I want to put
a mesh or a grid.
So I will come to a rectangle grid.
And before I do that, I'm going to go and select the inside.
I'm going to dramatically.
I will now I will double click outside.
Here you are, I put the grid inside the oval very useful.
This is one of the difficult examples.
Now I can double click inside and choose the grid.
The way I would like that is very practical.
You imagine if you did that, for example, with the ShareBuilder, he's going to take a lot of work
to get it done and it would be almost impossible.
So this is about.
The draw inside, let's take an example here.
I have this beautiful giraffe here, and if you come to the layers there are going to select this path.
You will notice that this path for the body is a single path here.
It has been drawn.
I drew it with the pen to help with the curve as a tool, something like this.
But what is important, it is just a single path.
I would like to give it texture.
I want to give the giraffe here some texture.
So I'm going to select the path and immediately go to drawing inside and then go.
I can use the paintbrush tool or the pencil tool.
Let's go for the pencil to come to properties here and increase the stroke.
Something like this and give the stroke the roundness that we require and simply I'm going to start
throwing knots, how it's going to happen is very interesting.
I can give it more stroke and start going the way I would like very negligently, because I know everything
is going to be inside.
And you can do a long one here, you know, to cover the feet, if you like, to something like this.
So actually it's very easy.
Now you notice I put lots of shapes inside here.
I finished my work double click, OK, I need to edit something, I'm going to come over here and double
click done double click twice meaning out of the double clicked.
I went inside the clipping group.
If I double click again, I will be inside this stroke here, which is useful because I can now adjust
it.
If I double click only once, now I can move it around and of course I can scale it up and down, but
I don't see it outside the clipping path or the body of the giraffe here.
So this one can make it bigger.
I can move it.
I can select all of them by the way, except the clipping path itself.
So I shift click again to select and maybe I change the colors to something dark brown or something
better, something like this.
Of course, guys, you want to draw something much more beautiful than I'm sure.
So we worked on the mask.
I showed you how to do it.
And we work on the MASH, which was a pretty hard example, you know, something very difficult to achieve
in this simplicity.
Let's take a complicated example to come over here.
I know you're going to be greedy.
You want to accept the things.
I have one shape, I have another shape, another shape, another one, another one, and something
just like this.
OK, something a mess.
Let's put this guy just over here.
And let's give them a.
Feel that's important is something like this, so now I would like to draw inside these guys, but if
I see them all.
Go to draw inside, you notice it's chilled out, is great out, you can select like this one.
So I think I will do a compound bath compound afterward, but when you make it, you're not going to
remove the front from the back.
So we'll have holes here if you're OK with it.
That's very easy.
Now you can go and roll inside the way you would like, but if you're not OK with this white ones here
removing front from back, you can undo that and simply come to the Pathfinder here.
So actually, I'm not talking about the Pathfinder, I was just showing you this tape because I'm sure
you're going to be creative and start doing things like how does it work now?
So you come to the first option.
It is Unite, Unite.
Tonight at Click to create a compound shape.
You don't want to compound Chip.
You don't care about compound chip.
All you care about the unite.
You united them.
Of course, now you notice, guys, that the inner strokes have disappeared and this is a united ship,
but now the option of drawing inside is available and you can start working on it with a brush tool,
whatever you like, any tool.
Fan guys, I love doing these things.
This was a tip about the Pathfinder and the Unite in case you want to do something complicated like
this, I want the cops to give you full information.
I hope you enjoyed that.
The drone inside and move on to the next video with something even more awesome.