WEBVTT 00:00.300 --> 00:06.390 OK, welcome to this lesson where we will create the knob that we see here in the reference, and I 00:06.390 --> 00:09.660 want to make this its own lesson because it's going to use a very unique technique. 00:10.110 --> 00:15.210 And between the previous lesson and this lesson, I also added a few more details using the same techniques 00:15.210 --> 00:15.990 we've already learned. 00:16.320 --> 00:20.490 So I wanted to save some time and not, you know, handhold you through every single thing. 00:20.490 --> 00:22.380 If we've already covered that type of a topic. 00:22.710 --> 00:26.790 And I'm going to do that throughout the course so we can speed this up and you're not having to follow 00:26.790 --> 00:28.610 and relearn the same things over and over again. 00:28.950 --> 00:35.040 So the things that I added were bevels to the handle and to the kind of extension here. 00:35.730 --> 00:36.990 And I added another plate. 00:36.990 --> 00:44.370 And these screws, the only thing to notice and to remember that I maybe haven't covered about bevels 00:44.580 --> 00:47.340 when I was making this, I was resizing it and doing all kinds of things. 00:47.350 --> 00:50.310 Same thing with this bevelled edge here. 00:50.790 --> 00:56.970 And if I was to start to scale something that I've already beveled, the Bevell itself is going to scale 00:56.970 --> 00:57.300 as well. 00:57.300 --> 01:03.600 You can see the distance of those agile loops are getting further and further apart and messing with 01:03.600 --> 01:04.170 the Bevell. 01:04.750 --> 01:06.030 I don't want that right. 01:06.030 --> 01:07.950 When I'm scaling something, I want the Bevell to be the same. 01:07.980 --> 01:15.360 So if you're going to scale something, you probably need to go into vertex mode and move the vertices. 01:15.660 --> 01:20.220 Instead of scaling this out, you want to move them so all the Bevell is maintained. 01:20.640 --> 01:25.560 This is the same beveled distance that we had when it was this short of a piece. 01:25.980 --> 01:31.500 So that's just one thing to keep in mind when you're scaling anything that's been beveled, that that's 01:31.500 --> 01:37.380 not uniformly scaled, I should say, because it was uniformly scaled, then it's going to scale up 01:37.380 --> 01:39.420 and it's all going to get bigger together. 01:40.080 --> 01:41.730 If that's what you want, that's OK. 01:42.090 --> 01:45.660 But just know that Bevell is going to get bigger if you scale the whole thing up together. 01:46.330 --> 01:50.040 So let's get into making this little kind of knob here. 01:50.040 --> 01:53.490 And it's a non-uniform shape as well. 01:53.490 --> 01:57.660 It's not a cylinder all the way around has this kind of point over here. 01:58.110 --> 02:02.520 So let's go and create a cylinder, because we're going to start with the most basic things. 02:02.880 --> 02:04.770 And I'm also going to group you can see it. 02:04.770 --> 02:09.270 These screws also have these kind of black pieces are what are going to be black pieces. 02:09.690 --> 02:11.970 You can look at the reference here. 02:12.240 --> 02:14.580 So I included those as well, and then I grouped them. 02:14.910 --> 02:20.040 So I'm going to just middle mouse drag shift selecting everything and middle mouse dragging that into 02:20.040 --> 02:21.480 the main group, GBE trap. 02:22.080 --> 02:24.020 And we can do that with everything else as well. 02:24.030 --> 02:29.340 It's just shift select everything that we're not currently modeling and middle mouse drag that and let 02:29.340 --> 02:31.110 go over the main group. 02:31.620 --> 02:40.260 So now we can select that and hide it with control h and now we can look at this cylinder and what we 02:40.260 --> 02:42.930 want to do is pull out one kind of point. 02:43.170 --> 02:45.030 So I'm going to delete some edges. 02:45.030 --> 02:51.690 And before I do that and start messing with the history of this thing, I want to add a cap here. 02:52.590 --> 02:57.330 And that's important for cylinder's, at least because if you start messing with this thing and then 02:57.330 --> 03:01.680 later you want to add a cap, it won't do it because you've messed with the history of the object. 03:02.040 --> 03:07.980 So you get this cleaned up first because you won't be able to change it a ton later if you're messing 03:07.980 --> 03:09.360 with components like we're about to do. 03:09.780 --> 03:15.030 So I'm basically going to select click and shifting shift and double clicking. 03:16.380 --> 03:23.700 Oops, all of the edges when the was on selecting all the edges here except for 03:26.310 --> 03:28.890 the one in the center I just skipped. 03:30.980 --> 03:35.960 Because that's going to be the one we're going to pull out, so I'm going to hold on shift right click 03:35.960 --> 03:41.660 and go to delete edge and then we have the point that we want and it looks like. 03:42.850 --> 03:45.540 Comes out kind of far, so you can just click and drag this out. 03:49.790 --> 03:58.370 Something like that, and we can double click these and maybe just scale them in a little. 03:59.530 --> 04:05.710 Or what we could do is add some more loops here and scale them out, so let's go to the edge loop toll 04:05.740 --> 04:11.830 on our custom shelf, click it, go to the tool settings here, make sure we're on multiple edge loops 04:12.750 --> 04:16.060 and let's try for clicking here. 04:17.350 --> 04:19.480 And it looks like it's kind of the same distance. 04:19.480 --> 04:21.520 I'm looking at the distance here with a distance here. 04:21.520 --> 04:22.590 It's maybe a little bigger. 04:22.600 --> 04:23.950 So let's go five. 04:25.420 --> 04:26.800 Oops, just type that in. 04:29.170 --> 04:32.650 Click one time, that looks a lot closer. 04:32.680 --> 04:38.320 So now we have kind of remade those that kind of uniform distance here, you can see it doesn't go all 04:38.320 --> 04:39.160 the way to the center. 04:39.490 --> 04:46.300 And this is a goofy thing about cylinder's while we made that cap at the very beginning, because I 04:46.300 --> 04:48.330 wouldn't make these loops later if we didn't. 04:49.090 --> 04:53.590 But, you know, that's just some quirky modeling stuff. 04:53.590 --> 04:56.910 And I'm trying to help you avoid that in the future. 04:56.920 --> 05:01.210 So one thing we can do here is scale this out just a little bit. 05:03.530 --> 05:11.140 And, you know, we just did those two, so now it's not a flat surface all the way to the end, but, 05:11.140 --> 05:12.360 you know, again, that's no big deal. 05:12.370 --> 05:15.910 We can just we do things and then we change it back. 05:15.910 --> 05:17.830 And it's very adaptable. 05:17.830 --> 05:24.940 And you to be the same and your knowledge and application of all everything that you know for modeling. 05:24.940 --> 05:29.830 So you can kind of do whatever you need to do and you're not kind of constrained by the tools or the 05:29.830 --> 05:30.670 decisions you make. 05:30.670 --> 05:32.110 You can just kind of go with the flow. 05:32.590 --> 05:35.110 So now we have the general shape of this thing. 05:35.580 --> 05:43.830 The big question is how do we make the kind of a ribbed looking kind of cylinders here all the way around? 05:44.770 --> 05:48.220 And so we'll address that. 05:48.220 --> 05:49.200 First, let's deal with this. 05:49.210 --> 05:50.950 It looks like it's kind of a bevelled edge here. 05:50.950 --> 05:51.850 It's kind of rounded. 05:52.240 --> 05:54.010 So let's beveled edge first. 05:55.210 --> 06:01.810 So double click this and I'll double click that and let's look at that point is probably beveled to 06:01.810 --> 06:02.190 here. 06:02.620 --> 06:13.600 So let's go to Bevell and let's go to the input here from Bevell and drag out a few more segments and 06:13.600 --> 06:15.460 then change the fraction a little bit. 06:15.970 --> 06:17.440 It looks like it's snapping around. 06:17.440 --> 06:21.700 So I'll just click the kind of pie chart here to go to a slower fraction. 06:23.290 --> 06:27.340 And I'm not entirely sure what's freaking out. 06:27.340 --> 06:31.030 So I just clicked here and our middle mouse tracking in the viewport. 06:31.030 --> 06:33.940 So, again, you just going to have to adapt to it. 06:33.970 --> 06:37.180 However, if it starts acting, acting goofy, you can just. 06:38.560 --> 06:41.170 Root around that problem and not to worry about it. 06:42.520 --> 06:42.810 Cool. 06:43.390 --> 06:44.890 So now we have that done. 06:45.190 --> 06:51.040 The only thing I would comment on is possibly using higher subdivision's at the beginning, because 06:51.040 --> 06:54.610 now you can see there is kind of far-Sighted here. 06:54.610 --> 06:56.800 It's not totally around all the way around. 06:58.030 --> 07:07.570 One trick you can try is hitting three on your keyboard and that will smooth the model in general and 07:08.350 --> 07:09.580 hard surface modeling. 07:09.760 --> 07:14.200 You'll probably do that at the very end, but you want to make sure all of your geometry is kind of 07:14.200 --> 07:15.100 accurate and stuff. 07:15.370 --> 07:19.120 And this kind of series of lessons about the Ghostbuster trap. 07:19.450 --> 07:23.740 I'm trying to model things in a way that we don't have to rely on that and that we can be a little more 07:23.740 --> 07:24.970 sloppy with our geometry. 07:25.180 --> 07:26.800 But in this case, it works pretty well. 07:27.460 --> 07:29.080 So we can leave it in the three mode. 07:29.080 --> 07:32.440 And that kind of solve the problem of this not being rounded enough. 07:32.440 --> 07:36.340 And I can, you know, go between one and three to show you the difference. 07:36.730 --> 07:41.980 And if you get to that's just kind of an intermediate tries to show you the one you had before. 07:41.980 --> 07:44.210 But because the one on top of each other, it's really hard to see. 07:44.590 --> 07:49.600 So mainly you're you're just going to use one in three to see the difference between smoothing something 07:49.600 --> 07:50.820 and not smoothing something. 07:51.310 --> 07:52.570 So we have that. 07:53.020 --> 07:56.260 Let's go back to one just because we're that's how we're going to model things. 07:56.770 --> 08:01.120 Let's add a loop right in the center of this thing that goes all the way around. 08:01.750 --> 08:06.810 And that's what we're going to tell these ribs to follow. 08:07.180 --> 08:08.710 So we need one right in the middle here. 08:09.130 --> 08:16.690 Let's go to the edge loop tool or go back to the tool settings and just drink this down to one. 08:17.560 --> 08:24.160 And that way it'll just put one right in the dead center of, well, one right in the dead center. 08:24.160 --> 08:29.290 You can see I accidentally clicked a few things and so I just said undo go back to object mode and where 08:29.320 --> 08:32.260 we're golden and I'll get off the tools. 08:32.260 --> 08:34.660 I don't accidentally make more loops again. 08:35.410 --> 08:35.860 All right. 08:35.860 --> 08:37.570 So now we have this edge loop. 08:37.990 --> 08:39.850 Let's go to the edge mode by right. 08:39.850 --> 08:47.140 Clicking and dragging you up like that edge double click it and let's go to modify convert. 08:49.780 --> 08:51.670 Polygon edges to curve. 08:52.960 --> 09:00.610 And we'll click the little box on the end there to get the options, and I want to choose Lennier because 09:00.610 --> 09:05.910 I want it to follow exactly where the the edge loop is. 09:05.920 --> 09:07.810 I don't want it to interpolate and get curvy. 09:08.260 --> 09:12.280 And so we're going to choose linear right now and convert now. 09:12.280 --> 09:17.560 You can see we have a curve here that follows exactly the shape. 09:19.060 --> 09:25.660 So now with that, we have something to add the ribs to. 09:27.160 --> 09:29.500 There's a couple different ways we could have gone about doing this. 09:29.510 --> 09:30.370 This is one way. 09:30.370 --> 09:35.140 Another way is using MASH, which we will talk about later, which is used for motion graphics. 09:35.590 --> 09:40.720 And you can use MASH to help you model some things as well, especially things that are patterns. 09:40.720 --> 09:44.170 But this is kind of a tried and true method. 09:44.170 --> 09:49.060 And you don't have to rely on, you know, some new plug in thing that my, you know, has come out 09:49.060 --> 09:51.640 in the last couple of years that's can have its own problems. 09:51.640 --> 09:58.180 So it's good to just know how to do things, you know, with the bare bones miah tools and also get 09:58.180 --> 09:59.790 introduced to some new things. 09:59.800 --> 10:04.720 And this is also we're going to have kind of an animation tool to to use for this. 10:05.140 --> 10:12.190 So when I go to poly modeling, I'm going to make the one rib, the summerskill it down is going to 10:12.190 --> 10:17.350 pull it over here so I can see it and skells all the way down at this a little bigger and drag it over 10:17.350 --> 10:22.690 here so I can kind of see the size and see, you know, it doesn't it almost goes all the way to the 10:22.690 --> 10:23.080 edge. 10:23.080 --> 10:26.770 So it's just scale it up to about there. 10:27.670 --> 10:30.850 And then it looks like these are pretty rounded at the top. 10:31.510 --> 10:34.270 So let's just go to. 10:35.670 --> 10:43.950 Edge mode, and it's going to select everything and you can see actually a few shifts like things it 10:43.950 --> 10:45.660 will dislike things you have selected. 10:46.110 --> 10:53.280 If you want to add to a selection and you're clicking and dragging over something that is already selected, 10:53.460 --> 10:56.960 it's going to deselected if you don't want that to happen, OK? 10:57.240 --> 11:00.000 If you do not want that to happen, you have to control and shift. 11:00.750 --> 11:05.550 Now, I'll add to that selection, even if you go or an area that you've already selected, but we want 11:05.550 --> 11:10.170 to do is control click and dislike that because we just want to Bevell the tops here. 11:11.670 --> 11:16.150 And I'll go from a top down view, heading spacebar, clicking and dragging over the top. 11:16.170 --> 11:22.590 You have to frame up and control click the centerpiece here so it'll deselect everything. 11:22.590 --> 11:31.800 Go back to perspective mode, adding spacebar and let's go to the Bevell tool and let's increase its 11:31.830 --> 11:35.780 increase of that fraction and bump up the segments. 11:36.090 --> 11:36.300 Yeah. 11:36.360 --> 11:37.860 So we're just having a hard on the slow mode here. 11:37.860 --> 11:43.470 So I change that to now I a middle mouse drag in the viewport with that selected and it will go a lot 11:43.470 --> 11:43.890 quicker. 11:44.610 --> 11:45.580 So it's Yeah. 11:45.940 --> 11:47.010 Something like that in general. 11:47.010 --> 11:52.050 You try, you want to try not to add a ton of geometry if you don't need it, and it's such a small 11:52.050 --> 11:55.710 piece and trying to keep it as light as possible. 11:57.090 --> 12:00.150 OK, so now we have that piece and it's going to end like this. 12:00.450 --> 12:06.060 But the big question is how do we get this piece to go all the way around this object? 12:06.060 --> 12:12.270 We could click and drag and try to place, you know, duplicate one and try to place it. 12:12.270 --> 12:13.290 Exactly. 12:13.320 --> 12:14.880 But that's super tedious. 12:15.300 --> 12:17.880 And we want to try to use the tools to our advantage. 12:18.300 --> 12:22.530 So let's go to the animation window here. 12:22.530 --> 12:23.490 We've been modeling. 12:23.590 --> 12:32.040 Let's go to animation and let's click the poly curved politics of tool and let's shift click the cylinder. 12:32.370 --> 12:37.020 Let's go to constrain and we'll go down to motion paths. 12:37.230 --> 12:41.220 I'm just going to tear this off attached to motion path. 12:42.450 --> 12:48.390 So what we have now, if we click and drag the timeline, even though we're we're still in the modeling 12:48.390 --> 12:49.740 course, don't get confused. 12:50.490 --> 12:55.650 Even though we're using the timeline and we are an animation now, we're using this to help us model. 12:56.340 --> 13:01.380 So what we've created is that this follows the path. 13:01.530 --> 13:06.690 If I select these two things and isolated here, you can see this and you can see it says one twenty 13:06.690 --> 13:06.990 here. 13:07.260 --> 13:11.550 And that means, you know, it's going over the timeline that we had. 13:11.550 --> 13:15.090 If this was further out, it would have gone to 194 or whatever. 13:15.600 --> 13:19.440 But because it was that one twenty, that's that's the length of the timeline. 13:19.440 --> 13:20.400 So that's what it's doing. 13:20.790 --> 13:22.800 It's going to animate over the length of that. 13:23.010 --> 13:25.080 OK, so we have this. 13:26.490 --> 13:32.610 Now, the thing we want to do is if you if you notice, if you hit play over here and start slow, it 13:32.610 --> 13:38.400 speeds up and slows in slow speed up, slow in. 13:38.820 --> 13:39.810 OK, we don't want that. 13:39.810 --> 13:42.720 We want it to be linear because we're going to use this, we're hacking this. 13:43.110 --> 13:46.950 We want it to have even intervals around this piece. 13:47.430 --> 13:49.770 We're going to duplicate this thing around. 13:50.100 --> 13:53.070 And if it starts slow here, we're trying to go at even intervals. 13:53.070 --> 13:57.870 It'll be a lot more of these at the beginning and they'll be further spaced out here. 13:57.870 --> 14:00.330 So you want this to go at the same speed all the way around. 14:00.750 --> 14:04.200 And the way we do that and again, this is kind of animation stuff. 14:04.200 --> 14:09.270 But when you learn 3D, you need to know a little bit of everything to to create things. 14:09.570 --> 14:11.910 So you can see we have this motion path here. 14:11.910 --> 14:12.960 We have the curve selected. 14:13.230 --> 14:17.580 Now we have an output for the motion path and we click that we can see this little red dot and that 14:17.580 --> 14:18.540 means there's a key frame. 14:18.540 --> 14:22.710 And now that we toggle this down, we also have these red dots on the timeline that weren't there before. 14:23.280 --> 14:27.810 So there's a couple different ways we can change the handles of this. 14:27.810 --> 14:33.290 So it'll be the same length, the same speed through the whole length of this timeline. 14:33.720 --> 14:35.550 But to we could do it here in the timeline. 14:35.550 --> 14:38.850 But I want you to see it visually since it's the first time you're introduced to this stuff. 14:39.180 --> 14:43.140 But a Windows animation and we'll go to the graph editor. 14:44.130 --> 14:45.270 This will open up a new window. 14:45.600 --> 14:48.150 And now we see a motion path, one you curve. 14:48.150 --> 14:49.320 And that's what we were looking at over here. 14:49.320 --> 14:55.050 Motion path, one you value and you can see it starts slow, speeds up and then slow. 14:55.530 --> 15:02.010 So I'm clicking and dragging the kind of vertex here, the key frame, and I'm selecting this one. 15:02.010 --> 15:03.920 And I want to go and hit this straight line here. 15:03.950 --> 15:05.070 It's going to straighten that out. 15:05.610 --> 15:07.200 So now we can close this. 15:07.200 --> 15:10.080 We'll learn all about animation and graph editor more later. 15:10.410 --> 15:11.940 But right now, that's all we need to know. 15:12.270 --> 15:16.230 So if we play this back now, it's going to go the same speed all the way around. 15:16.620 --> 15:19.680 When this loops, you won't be able to tell difference with the speed. 15:19.680 --> 15:23.730 See, now it just goes all the way around and there's no speed changes. 15:24.090 --> 15:25.890 And that's exactly what we want. 15:26.400 --> 15:27.000 Perfect. 15:27.120 --> 15:28.290 OK, so. 15:29.390 --> 15:31.370 If we go back to. 15:32.280 --> 15:41.400 The enemy tab here, Maunder Animation, and we go visualize, create animation, snapshot and open 15:41.400 --> 15:47.070 up the option box here and what we want to do is go the entire length of this thing. 15:47.400 --> 15:50.780 So we'll add 120 because that's the timeline over here. 15:50.820 --> 15:51.720 We're at 120. 15:52.410 --> 15:53.220 So start to end. 15:53.460 --> 15:58.110 We can also we could say time slider, which will kind of automatically do that. 15:58.110 --> 15:59.190 So it ingres these out. 15:59.190 --> 16:01.890 But either one, it's the same thing if you change this number. 16:01.890 --> 16:10.530 So we'll say you know, increment will be one and then let's say increment to well whatever, let's 16:10.530 --> 16:16.020 just leave it at default will say reset settings and make sure we're all the default. 16:16.140 --> 16:22.500 So the selected we actually want to select the cylinder not the curve and let's hit apply. 16:28.850 --> 16:36.800 So when we on isolate this now, when we we can see what we've actually made, so it made way too many 16:36.800 --> 16:37.580 of these things. 16:38.870 --> 16:46.670 So let's let's go and un isolate this and what the cylinder selected, let's say an increment of two 16:46.670 --> 16:48.790 now instead will apply. 16:49.340 --> 16:50.150 I'll take a second. 16:50.150 --> 16:57.020 And now you can see these ribs and that looks a lot closer to what we need and what is showing up here. 16:58.770 --> 17:06.810 So the only thing that I would say is that maybe these need to be closer into the object like they're 17:06.810 --> 17:08.350 poking out too far. 17:09.120 --> 17:16.770 So one way we can do that, let's say don't do go to the curve and let's isolate it and I'll right. 17:16.770 --> 17:17.580 Click and say. 17:19.130 --> 17:29.310 Control vortex, click and drag these, so let's hold on D and X and middle mouse, snap it to the center. 17:29.660 --> 17:34.310 So now when I scale this down, everything should scale from the center. 17:34.500 --> 17:44.500 OK, so now when we do the snapshot, we go to visualize an animation snapshot. 17:45.560 --> 17:47.050 We have to point to one. 17:47.060 --> 17:49.550 And again, this could this value can be different for you. 17:49.840 --> 17:52.530 This is just based on the size of the thing that I made. 17:52.790 --> 17:54.450 So this will probably be different for you. 17:54.470 --> 17:59.920 I'm just taking a guess at, you know, what will be the right distribution for mine. 18:00.350 --> 18:05.600 So to kind of lock in these changes, now, you can see it's all the way around correctly. 18:06.320 --> 18:09.950 To lock in these changes, we need to delete the history. 18:10.280 --> 18:12.860 So let's go to edit delete by type history. 18:14.160 --> 18:23.150 And let's select all of these shifts, select it G and will middle mouse drag them out and I just let 18:23.200 --> 18:26.620 go down here anywhere unless delete that snapshot group. 18:27.090 --> 18:34.440 So now we have the ribs and we have the cylinder. 18:35.820 --> 18:37.080 We can delete the original one. 18:37.120 --> 18:40.070 We can also delete the curve because we don't really need all that stuff now. 18:40.410 --> 18:44.280 So now we could even just middle mouse drag and put this under the cylinder. 18:44.550 --> 18:45.050 Okay. 18:45.060 --> 18:48.450 And we can also see there's maybe an extra one here, so we can just delete that. 18:50.400 --> 18:55.170 So now we have our knob and we place it in the right spot. 18:55.890 --> 19:00.330 Lets unhide the trap heading shift H. 19:01.620 --> 19:06.360 Let's select the cylinder, drag it out here and let's rotate it down. 19:06.930 --> 19:13.740 I can see it should be 90 degrees negative, 90 degrees and X and we can also just scale the whole thing 19:13.740 --> 19:14.070 down. 19:14.070 --> 19:20.730 And you can see because we parented the ribs under the cylinder, it's following along with whatever 19:20.730 --> 19:21.300 we're doing. 19:21.690 --> 19:24.420 And this is called a parent and child relationship. 19:25.050 --> 19:27.000 And we did the same thing with the group earlier. 19:27.030 --> 19:31.080 You know that everything is a child of this group node. 19:31.180 --> 19:35.820 So if we move the group node, everything will move because everything underneath it as a child and 19:35.820 --> 19:41.190 you can do that by middle mouse dragging things in the outliner, you can also do it by selecting two 19:41.190 --> 19:43.920 things and then adding P on your keyboard for a shortcut. 19:44.490 --> 19:45.870 So there's different ways to do it. 19:45.870 --> 19:49.470 But let's just get this kind of on the right spot. 19:51.300 --> 19:53.490 I mean, drag it up, it looks like. 19:54.710 --> 19:58.550 It's tilted to the side a little bit and it has this black disc here, so I'm actually just going to 19:58.550 --> 20:01.970 steal one of these discs here, Kamandi, to duplicate it. 20:01.970 --> 20:07.340 And also talking about parenting, you can hit shift to unpaired something so you can see it pop this 20:07.340 --> 20:14.030 out from that group and we can just scale this up and let's just bring it over here to the center of 20:14.030 --> 20:14.570 this thing. 20:15.590 --> 20:21.590 And now we can click the cylinder to make sure we just have the cylinder selected and rotate it. 20:21.590 --> 20:25.670 So it's kind of at an interesting angle instead of straight down. 20:26.750 --> 20:33.090 And now for later, we have this disc that will be able to color something differently, see if it goes, 20:33.100 --> 20:34.710 yeah, almost all the way. 20:34.730 --> 20:37.640 So let's just do something like that and just kind of eyeball that. 20:37.640 --> 20:38.670 It's in the center close enough. 20:38.690 --> 20:43.790 You can vertex snap and all that stuff if you want, but that is looking pretty good. 20:44.070 --> 20:47.540 The next lesson, we will create this top structure really quickly. 20:47.540 --> 20:51.230 And you know, you can do the same knob thing here. 20:51.230 --> 20:56.810 You just duplicate this one out and those and, you know, but the next thing we'll do is just finish 20:56.810 --> 21:02.690 up this model and complete the top and we'll move on to a character in the next series of lessons about 21:02.690 --> 21:03.390 three modeling. 21:03.710 --> 21:05.410 Thanks for watching and I'll see you the next lesson.