WEBVTT 00:00.240 --> 00:05.400 Welcome to this lesson where we will finish up this front element and the doors and I want to talk about 00:05.400 --> 00:06.040 this issue. 00:06.060 --> 00:10.590 It basically has a weird visibility issue just because there's one face right on top of the other. 00:10.590 --> 00:13.890 As soon as you click one or the other, it'll show the one you've clicked. 00:14.260 --> 00:18.910 But that's why when you don't have either clicked and you look around, it's kind of a weird view. 00:18.930 --> 00:20.700 Let's deal with that. 00:20.700 --> 00:26.550 We can isolate, select this thing like I was mentioning earlier, and go to the face. 00:27.300 --> 00:34.290 And it's like these control shifts, like those corners here, which are probably going to be proved 00:34.290 --> 00:35.250 to be an issue. 00:35.970 --> 00:42.060 We can deal with those in a second control shift, select anything that we don't need at four to make 00:42.060 --> 00:49.260 sure we only have that top selection selected and go to extrude and keep pieces together. 00:49.650 --> 00:51.750 And let's just pull this down and see what we get. 00:51.750 --> 00:52.290 So far. 00:52.860 --> 00:54.810 We go back to the shaded mode so we can see. 00:55.560 --> 00:56.600 So that looks pretty good. 00:56.610 --> 01:04.320 I'm going to undo that and maybe just scale these in a little bit so they're not right at the edge and 01:04.320 --> 01:09.960 then redo that and make sure key pieces together is on and now drag it in so that we have this a little 01:09.960 --> 01:11.130 bit of a border there. 01:12.300 --> 01:15.990 Let me make sure I didn't undo not far enough back, it looks like. 01:18.540 --> 01:26.460 Oh, this is the issue, because these aren't these aren't following along here, so let's just drag 01:26.460 --> 01:37.080 it down for time's sake, because we have we already have the top area modeled on isolates like that. 01:37.080 --> 01:39.840 We can see we're good there. 01:40.240 --> 01:45.060 We just drag this one back up and actually just vertex snap it. 01:46.020 --> 01:47.820 So let's go to the front view. 01:50.880 --> 01:52.580 Actually, I lost my selection there. 01:52.620 --> 02:01.680 I'm going to go back to select that part of the front view and we can hit W or sorry, at four to get 02:01.680 --> 02:06.810 the sideways view and just drag that back up to be even go back to perspective mode. 02:06.820 --> 02:07.020 Right. 02:07.020 --> 02:08.960 Click to go to object mode at five. 02:09.420 --> 02:15.420 And now we can see we have a deeper hole here but. 02:18.620 --> 02:27.350 Yet let's go to sleep like that, and the main issue is it's extruding through itself's or seeing the 02:27.350 --> 02:33.710 back side of the faces so we can just delete this face and there we go. 02:33.710 --> 02:34.840 And that solve the problem. 02:34.850 --> 02:37.250 We just drag this one down as far as we want. 02:38.030 --> 02:46.280 And on isolates like that, we can see this issue here with the internal piece so we can resolve this, 02:46.890 --> 02:48.240 you know, if we want to. 02:48.260 --> 02:50.930 It depends on how much you're going to see this stuff. 02:50.930 --> 02:55.730 You basically don't want to spend a ton of time modeling things you're never going to see is a big rule 02:56.060 --> 03:01.220 with modeling, because if you work for a for a studio or something and you spend all your time modeling 03:01.220 --> 03:05.520 something no one's ever going to see, your supervisor is not going to be too happy. 03:06.140 --> 03:10.700 So it's all about what the viewer is going to see from the camera angle. 03:10.700 --> 03:16.550 And if you're working on a show or movie, they are going to tell you exactly what to model. 03:16.550 --> 03:17.920 Hopefully sometimes that changes. 03:17.930 --> 03:18.890 You have to adapt to that. 03:18.890 --> 03:24.020 But so now we have this front element and let's. 03:25.200 --> 03:31.770 Can I call this and could you pull this edge back a little bit is slightly annoying. 03:32.130 --> 03:35.910 I just shifts like that at four to make sure I have nothing else selected. 03:36.600 --> 03:38.040 Just drag that back a little bit. 03:38.850 --> 03:39.770 Five. 03:40.500 --> 03:40.820 Cool. 03:40.880 --> 03:43.680 We don't see that go to object mode. 03:44.850 --> 03:48.450 And so now I want to take this element and. 03:49.530 --> 03:52.710 Until we get if we just Bevell, this whole thing, I think we're going to have to select the edges. 03:52.710 --> 03:56.670 But just for time's sake, yeah, I mean, it's pretty close. 03:57.090 --> 03:59.700 We're adding a lot of geometry to this thing unnecessarily. 04:00.000 --> 04:05.280 So when going go back out and get a little more specific with the exact edges, I'd like to Bevell, 04:05.580 --> 04:10.170 if we look at the reference, it's kind of all of these outside angles. 04:11.500 --> 04:19.420 Our beveled so it's going to grab those and of course, the top edges here. 04:20.980 --> 04:27.750 And let's see if we could do we could do the bottom edges as well, and I'm choosing not to merge these, 04:27.760 --> 04:34.930 you could spend more time on this and merge the so they're not separate pieces, but for our four times 04:34.930 --> 04:44.830 sake, trying to keep this tutorial shorter and not keep going on and on, I'm just choosing to do what 04:44.830 --> 04:46.490 I think's fastest for us. 04:46.510 --> 04:47.890 And you're still learning a little bit. 04:48.460 --> 04:50.720 So cool. 04:50.740 --> 04:56.200 Now we're almost have all of our selections made just to go down this edge. 04:56.200 --> 04:56.740 This edge. 04:56.740 --> 04:57.430 This edge. 04:57.940 --> 04:58.750 This edge. 05:00.210 --> 05:01.080 And. 05:03.110 --> 05:04.370 This one, this one. 05:08.790 --> 05:10.000 Excellently selected that one. 05:13.450 --> 05:13.690 On. 05:16.440 --> 05:18.570 Grab that call. 05:20.880 --> 05:27.770 You know, I'm going to go ahead and grab that one and go out and do those, I think, you know, should 05:27.770 --> 05:29.150 be flush with it, but. 05:31.010 --> 05:39.410 It's a much more pain in the butt to try to Bevell things after the fact because the number of lines 05:39.410 --> 05:43.310 like where they meet won't line up and it just creates a lot more work. 05:44.940 --> 05:50.780 I'm just going through stumbling around this thing, making sure we have all of the angles. 05:51.320 --> 05:52.420 Maybe grab this one to you. 05:54.630 --> 06:00.540 All the angles covered here non-special this, so let's go to the Polly Bevell, we can also add T to 06:00.540 --> 06:05.820 pull up the options here and let's just add one segment and call that good. 06:07.870 --> 06:10.200 And you can see the issue when we beveled this. 06:10.200 --> 06:11.720 Of course, now it's not flush. 06:12.780 --> 06:16.230 We can resolve that and a couple different ways. 06:16.230 --> 06:21.540 We can just pull out this edge because it's on both sides probably going to scale it. 06:22.540 --> 06:24.150 That's a little bit of a sloppy way to do it. 06:24.150 --> 06:28.440 But, you know, it gets the job done for speed sake. 06:28.950 --> 06:35.910 Instead of having to merge this stuff when you could do is go in and add a lot of extra edge loops here 06:36.930 --> 06:42.900 so we can add one here and then we could delete faces and then merge vertices where these points meet. 06:43.150 --> 06:45.290 That's how I would merge all those together. 06:45.300 --> 06:48.690 But then, you know, since we beveled these now, we have a lot of loops to do. 06:49.140 --> 06:54.000 And I think for our purposes of just learning, just beginners, you know, trying to discover what 06:54.000 --> 06:58.770 modeling is all about, I don't want us to get in the weeds too much on that stuff. 06:59.430 --> 07:11.040 So we have a nicely beveled piece here and we can just maybe extrude these two faces for this front 07:11.040 --> 07:12.000 plate element. 07:13.110 --> 07:20.730 So I'll go to extrude, keep bases on and sorry about the offset to try to bring it in. 07:21.840 --> 07:28.230 Just a little bit and then let's sit down again and keep faces on this, drag this out a little bit. 07:31.070 --> 07:34.990 It looks like that should be way closer to the edges. 07:34.990 --> 07:36.810 So I think we went too far on the offset. 07:37.380 --> 07:40.260 So offset my point. 07:40.590 --> 07:46.410 You know, if you click this thing here and now we middle mouse drag will be a lot smaller. 07:46.410 --> 07:48.390 So that's probably the best option for us. 07:49.020 --> 07:50.330 So then we can hit G again. 07:50.340 --> 07:57.930 So now that we create this little separation of these faces, we can go back and extrude this out and 07:57.930 --> 07:59.090 see how far out it comes. 07:59.100 --> 08:00.450 Not super far. 08:01.530 --> 08:04.470 Seems like a really bevelled edge, though, like super smooth. 08:05.400 --> 08:06.420 More than what we just did. 08:07.530 --> 08:09.630 So let's do that. 08:21.580 --> 08:22.270 Pavel. 08:24.450 --> 08:31.410 Tea or we need to go to the village first and now we have it and we are going to increase the segments 08:31.410 --> 08:37.950 here now we need to speed this back up because it's wasn't really working that well. 08:38.730 --> 08:39.780 This was going so slow. 08:40.560 --> 08:43.440 So now we have this element modeled. 08:45.690 --> 08:52.170 I think what I'd like to see, though, t again, I think that fractions maybe is too much or we need 08:52.170 --> 08:52.860 more segments. 08:52.860 --> 08:54.130 It is kind of two faceted. 08:54.150 --> 08:57.660 You could see the edges a little too much. 09:01.150 --> 09:07.570 So that's done and we can extrude this interface and it looks like it kind of slopes into it maybe. 09:09.270 --> 09:14.790 From the top, I don't know, it depends on how how you're how you view this image or what the the reference 09:14.790 --> 09:22.980 you you find and use, but you can do the same thing we just did extrude keep bases on turning this 09:22.980 --> 09:27.390 down so we can get a little more specific on the offset, minimize drag here in the center to get the 09:27.390 --> 09:29.820 offset and the ballpark. 09:29.820 --> 09:30.930 It's pretty small. 09:31.260 --> 09:35.310 It looks like it's kind of thinner to scale it in this direction. 09:38.030 --> 09:39.800 But that it's still the center. 09:40.710 --> 09:44.670 We need to drag it up a little bit, so. 09:45.870 --> 09:53.270 I'll pull this out just a touch, because that's looks like what's happening in the reference, so it 09:53.280 --> 09:58.770 makes our Bevell a little wonky because it's trying to get flat at the top here and we can just delete 09:58.770 --> 09:59.760 those top edges. 10:00.920 --> 10:06.950 So that it's more gradual, so I do that go to edge, it's like these. 10:09.760 --> 10:14.560 Double click, it should go all the way around does right click go to delete edge. 10:15.300 --> 10:21.750 So now it's more of a more of a gradual, if you like, this profile, it's going in there a little 10:21.750 --> 10:22.040 better. 10:23.130 --> 10:26.480 So now we have this plate extrude this again. 10:27.570 --> 10:33.920 So let's go to extrude, pull this out, extrude it g o. 10:33.930 --> 10:35.520 One of the key pieces together though. 10:36.660 --> 10:39.210 Extrude that again by hitting key pieces together. 10:39.840 --> 10:41.280 Increase the offset here. 10:43.370 --> 10:44.180 It looks like, right? 10:44.270 --> 10:44.560 Yeah. 10:45.800 --> 10:53.930 Let's let me go back here again, extrude again key pieces together to smash that down into this thing. 10:53.960 --> 10:58.670 I don't know how far it's hard to see from this angle how far that thing goes down, because somewhere 10:58.670 --> 11:07.460 like that and then we can just bevill these edges and kind of call it a day on this stuff. 11:09.180 --> 11:18.800 And then the next lesson I want to show you a very interesting way to model a cord, something that 11:18.800 --> 11:20.450 kind of has like an organic shape to it. 11:20.450 --> 11:28.280 And even though we're doing hard surface stuff, a lot of hard surface things like neck type things 11:28.280 --> 11:30.800 have cords associated with them. 11:31.400 --> 11:39.890 So we want to make sure that we know how to do that if you're interested in the hard surface kind of 11:39.890 --> 11:40.330 arena. 11:41.210 --> 11:44.500 So I'm just going to increase the segments there, the object mode. 11:44.510 --> 11:45.800 So I'm going to see it and shaded. 11:47.310 --> 11:52.560 And it looks like we just have like a normals issue here that doesn't know which way to pull, the other 11:52.560 --> 12:00.150 thing we can do is add some more geometry here with the multicar tool and hopefully that will alleviate 12:00.150 --> 12:06.240 some of the Normal's problems, because as I mentioned earlier, my dad doesn't really like triangles 12:06.240 --> 12:07.830 and we just created a couple there. 12:09.880 --> 12:12.060 But if we put that down. 12:14.600 --> 12:20.420 We're going to make another one, so I might just leave that as it is, just do these two. 12:22.480 --> 12:22.760 Cool. 12:23.710 --> 12:29.200 So I think, you know, if we go back through and do what we did in a previous lesson to resolve the 12:29.200 --> 12:34.450 Normal's issues with the mesh display, you see that super quick set face. 12:35.050 --> 12:41.080 So that actually looks pretty good just by going with the averaging the faces. 12:41.080 --> 12:43.870 If he wanted to get more specific with that, you can do that. 12:44.170 --> 12:45.940 But it's really just for our purposes and viewport. 12:45.940 --> 12:50.290 When you create renders of this, those normal faces won't matter as much. 12:51.400 --> 13:00.940 But we got this done and are going to quickly create the door super quick and drag this up. 13:01.660 --> 13:13.210 And when Vertex snapped this to one side and then Vertex snapped this to the edge and I held and V to 13:13.210 --> 13:14.350 change the pivot, of course. 13:14.350 --> 13:22.390 And then I held V just to transform it to the side here so that it will all scale from this point. 13:24.700 --> 13:30.880 And again, I could I can use the vortex snapping here, or I can just kind of eyeball it because they're, 13:30.940 --> 13:33.460 you know, anything mechanical is going to have a gap there. 13:33.460 --> 13:36.880 So it can not exactly rub up against things. 13:37.700 --> 13:41.700 One thing we want to make sure is that these in the center are, in fact, in the center. 13:41.770 --> 13:46.870 Let's go to the right view and had four and now we can see the center line. 13:46.870 --> 13:48.940 If we all down X, we can snap to the grid. 13:49.600 --> 13:54.810 So now we know that's right in the center and we can actually just pull that back just a touch. 13:54.820 --> 13:57.250 So again, there's a little bit of a gap there. 13:58.120 --> 13:59.560 And that's right. 13:59.560 --> 14:07.390 Click object mode and had five to go back in the shaded, scale this down so the door as more of a door 14:07.390 --> 14:12.850 size and bring it up to the top of this edge here. 14:14.570 --> 14:16.250 So it looks pretty good. 14:17.570 --> 14:20.930 The last thing we need to do is, of course, and this thing just a touch. 14:21.530 --> 14:27.950 So I'm actually just going to leave it on object mode and go to our custom shelf, click Bevell, and 14:28.280 --> 14:34.300 I'm going to go pretty small on the Bevell and bring back the fraction. 14:34.910 --> 14:40.700 So it's just barely beveled just so it's not a very hard edge there. 14:42.020 --> 14:48.150 And then we're going to do as duplicate this by hitting command and what I can do. 14:48.170 --> 14:49.490 There's a couple different ways you can do this. 14:49.490 --> 14:53.120 You could scale it and negative in this direction. 14:53.930 --> 14:55.400 So we go negative one. 14:56.720 --> 15:00.980 So it flips it around and then we can hold down V and snap it to this other side. 15:02.580 --> 15:11.340 So should I think we're snapping to the wrong thing is snapping to the Bevell one of the bevels instead 15:11.340 --> 15:13.900 of the edge there? 15:14.040 --> 15:24.000 So let's go to the right you have for and just snap that inside. 15:24.990 --> 15:31.230 So now we can see and the center here, they're equally far apart from the middle, might need to just 15:31.440 --> 15:31.900 touch. 15:33.060 --> 15:34.860 Um, let's look at this. 15:37.310 --> 15:43.460 Know, let's just bring those in just a little bit so we can click both of those and hit ah and then 15:43.460 --> 15:48.830 just scale from here since just a small amount, that's not going to really hurt the bevels that we 15:48.830 --> 15:49.190 did. 15:50.400 --> 15:52.260 Just kind of close that gap, just a touch. 15:54.580 --> 15:54.920 Cool. 15:55.930 --> 16:02.590 So now we have our Ghostbusters trap, pretty much we can add these little rivets that we put up here. 16:03.190 --> 16:07.930 If we like, we can add this back element. 16:08.740 --> 16:13.980 You basically, at this point, have all the knowledge you need to model this back area. 16:14.640 --> 16:17.390 And in the last lesson here, this can be very short. 16:17.410 --> 16:21.400 We're just going to make this a cord that can come off of the back of this thing. 16:21.880 --> 16:24.250 So I will show you how to do that in the next lesson. 16:24.400 --> 16:25.060 Thanks for watching.